Yeah, the successes were an HD version of golden age NWA. Hangman/Swerve is as close to an evolution of Magnum/Tully as you can get, and if a complaint can be made it should be that this feud still feels like there's a TON left in it despite there being practically no way they can keep upping the violence. Both guys need a year away from each other in any meaningful way but the feud is not going to end until one of them can't walk, and wrestling hasn't had that --at least on a national scale-- in at least 25 years. It's the exact thing so many have pined for.
The Mox stuff is really funny because the argument feels so much like "it was fine when Terry Funk did it but now it's UNACCEPTABLE," and the segment could not have been more effective. If you watched that, and your takeaway was fake outrage and worrying about the business side of the company or how sponsors react and it isn't "I want Bryan to kill all these motherfuckers," you don't understand wrestling. This one is really interesting because I didn't ever expect to see the divide from people who are wrestling fans vs people who are fans of being smart fans ever presented as clear. If you don't want to see how this works out and want Bryan to murder Mox now, you deserve the PG shit that you complained about for the last fifteen years.
Statlander/Willow is two people who were in a feud that was kinda death for months deciding to put on a great hate-filled brawl. They reminded people that they are good enough, and in Statlander's case showed they are capable of putting on a great match when called for after a loooong period of struggling (and I like Statlander). The women, especially the women of AEW, spent so long not getting their flowers that when they do it gets nitpicked because of match content. They overshadowed the fucking high-priced signing they had who certainly did not look like they could hang with Shida.