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poetry thread

Byron The Bulb

Byron the bulb
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In this thread you can post poems you like and also perhaps talk about them. Let's start with some Byron (not the Bulb).

O, we'll go no more a-roving
So late into the night,
Though the heart be still as loving,
And the moon be still as bright.

For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have a rest.

Though the night was made for loving,
And the day returns too soon,
Yet we'll go no more a-roving
By the light of the moon.

Your turn!
 

pbone

Something tells me that you want to go home.
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A girl wrote me this when I was a freshman:

Take me away
To your favorite place.
Hold my hand,
Run away with me!

Atop a cliff, kiss me.
Make a wish,
Drop a penny to the bottom,
Watch the birds fly away.

Whisper me a secret,
Tell me your middle name.
I'll admit I'm afraid of the dark,
Unless it's dark with you..

Tell me a joke, make me laugh.
I'll look into your eyes, your hypnotizing eyes.
You'll smile, I'll laugh, We'll kiss.

Around you, my heart beats 3x faster.
Sometimes, I have to catch my breath.
You tend to leave me speechless,
And always begging for more.

Lets travel to Europe together.
Make love in Italy,
Make out in Paris,
Eat great food, drink fine wine.

Lay next to me on the beach.
Watch the sun go down.
Count all the shooting stars at night.
Maybe, I'll show you my rack..

This poem.. sucks.
But I hope you've enjoyed it.
With 1000 Kisses; I hope this, not trite.
I fare thee well, and Bid thee Goodnight



With all my Heart,
Your secret admirer.. ; )
 

Byron The Bulb

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I think high school English classes really need to start emphasizing that poetry is actually really hard to write. Kids got this idea that just because it doesn't have to have a lot of words that it's somehow easier to do than any other kind of writing, but that's totally wrong! It's actually maybe the hardest thing to write! Like, I'm pretty sure you have to be a divinely inspired genius to be any good at it, which is why there's no good poets anympore (because God is Dead).
 

Sesquipedaliantique

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I'm far from well versed in poetry, but I always liked the phrasing of Edgar Allan Poe (a little 'mainstream' and obvious, I know. I'm fond of Yeats as well).

Most would cite 'The Raven' as the best example of Poe's talents. I'd probably agree with that, but this one has always struck me as interesting and mysterious, even if it is based on ancient Greek myths, and has therefore almost certainly been turned into a power metal anthem by mustachioed men in tight leather chaps.

#Edgar Allan Poe said:
Hymn to Aristogeiton and Harmodius
Translation from the Greek.

I.

Wreathed in myrtle, my sword I'll conceal
Like those champions devoted and brave,
When they plunged in the tyrant their steel,
And to Athens deliverance gave.

II.

Beloved heroes! your deathless souls roam
In the joy breathing isles of the blest;
Where the mighty of old have their home -
Where Achilles and Diomed rest.

III.

In fresh myrtle my blade I'll entwine,
Like Harmodious, the gallant and good,
When he made at the tutelar shrine
A libation of Tyranny's blood.

IV.

Ye deliverers of Athens from shame!
Ye avengers of Liberty's wrongs!
Endless ages shall cherish your fame
Embalmed in their echoing songs!
 

Incandenza

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#1 Gay said:
I think high school English classes really need to start emphasizing that poetry is actually really hard to write. Kids got this idea that just because it doesn't have to have a lot of words that it's somehow easier to do than any other kind of writing, but that's totally wrong! It's actually maybe the hardest thing to write! Like, I'm pretty sure you have to be a divinely inspired genius to be any good at it, which is why there's no good poets anympore (because God is Dead).

I'm sure there are still plenty of good poets, but who among us actually keeps up with them?

And yeah, most people who write poetry—not including actual published poets, obv.—never actually read the stuff.
 

The Coat Is My Father

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If I when my wife is sleeping
and the baby and Kathleen
are sleeping
and the sun is a flame-white disc
in silken mists
above shining trees,--
if I in my north room
dance naked, grotesquely
before my mirror
waving my shirt round my head
and singing softly to myself:
"I am lonely, lonely.
I was born to be lonely,
I am best so!"
If I admire my arms, my face,
my shoulders, flanks, buttocks
again the yellow drawn shades,--

Who shall say I am not
the happy genius of my household?
- William Carlos Williams, Danse Russe

dim
i
nu
tiv

e this park is e
mpty(everyb
ody's elsewher
e except me 6 e

nglish sparrow
s)a
utumn & t
he rai

n
th
e
raintherain
- my favorite e.e. cummings poem
 

The Coat Is My Father

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I placed a jar in Tennessee,
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.

The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground
And tall and of a port in air.

It took dominion everywhere.
The jar was gray and bare.
It did not give of bird or bush,
Like nothing else in Tennessee
-Wallace Stevens, Anecdote Of The Jar

What should we be without the sexual myth,
The human revery or poem of death?

Castratos of moon-mash - Life consists
Of propositions about life. The human
Revery is a solitude in which
We compose these propositions, torn by dreams,

By the terrible incantations of defeats
And by the fear that defeats and dreams are one.

The whole race is a poet that writes down
The eccentric propositions of its fate
-Wallace Stevens, Men Made Out Of Words
 

Byron The Bulb

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Incandenza said:
#1 Gay said:
I think high school English classes really need to start emphasizing that poetry is actually really hard to write. Kids got this idea that just because it doesn't have to have a lot of words that it's somehow easier to do than any other kind of writing, but that's totally wrong! It's actually maybe the hardest thing to write! Like, I'm pretty sure you have to be a divinely inspired genius to be any good at it, which is why there's no good poets anympore (because God is Dead).

I'm sure there are still plenty of good poets, but who among us actually keeps up with them?

I was exaggerating for rhetorical effect there a little bit. But, yeah, I wouldn't even begin to know where to look to find good contemporary poetry. I mean, I could ask MFA people I know for recs, but I probably won't be doing that. And anyway, if there is actual good poetry being produced these days, I'd hazard to guess that most of it is probably being written in obscure tongues by people living in war-torn third world shitpiles. I fear western poetry may have exhausted its range of possible expressions. On that note, here's a rad Mahmoud Darwish poem that's quoted in both Edward Said's Culture and Imperialsm *and* Homi Bhabha's The Location of Culture. That's some serious postcolonial cred right there. It's called "The Earth is Closing in on Us" (Hint: It's about Palestine).

The Earth is closing on us
pushing us through the last passage
and we tear off our limbs to pass through.
The Earth is squeezing us.
I wish we were its wheat
so we could die and live again.
I wish the Earth was our mother
so she’d be kind to us.

I wish we were pictures on the rocks
for our dreams to carry as mirrors.
We saw the faces of those who will throw
our children out of the window of this last space.
Our star will hang up mirrors.
Where should we go after the last frontiers ?
Where should the birds fly after the last sky ?
Where should the plants sleep after the last breath of air ?
We will write our names with scarlet steam.
We will cut off the hand of the song to be finished by our flesh.
We will die here, here in the last passage.
Here and here our blood will plant its olive tree.
 

Byron The Bulb

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Elegy to the Memory of an Unfortunate Lady

What beck'ning ghost, along the moon-light shade
Invites my steps, and points to yonder glade?
'Tis she!--but why that bleeding bosom gor'd,
Why dimly gleams the visionary sword?
Oh ever beauteous, ever friendly! tell,
Is it, in heav'n, a crime to love too well?
To bear too tender, or too firm a heart,
To act a lover's or a Roman's part?
Is there no bright reversion in the sky,
For those who greatly think, or bravely die?

Why bade ye else, ye pow'rs! her soul aspire
Above the vulgar flight of low desire?
Ambition first sprung from your blest abodes;
The glorious fault of angels and of gods;
Thence to their images on earth it flows,
And in the breasts of kings and heroes glows.
Most souls, 'tis true, but peep out once an age,
Dull sullen pris'ners in the body's cage:
Dim lights of life, that burn a length of years
Useless, unseen, as lamps in sepulchres;
Like eastern kings a lazy state they keep,
And close confin'd to their own palace, sleep.

From these perhaps (ere nature bade her die)
Fate snatch'd her early to the pitying sky.
As into air the purer spirits flow,
And sep'rate from their kindred dregs below;
So flew the soul to its congenial place,
Nor left one virtue to redeem her race.

But thou, false guardian of a charge too good,
Thou, mean deserter of thy brother's blood!
See on these ruby lips the trembling breath,
These cheeks now fading at the blast of death:
Cold is that breast which warm'd the world before,
And those love-darting eyes must roll no more.
Thus, if eternal justice rules the ball,
Thus shall your wives, and thus your children fall;
On all the line a sudden vengeance waits,
And frequent hearses shall besiege your gates.
There passengers shall stand, and pointing say,
(While the long fun'rals blacken all the way)
"Lo these were they, whose souls the furies steel'd,
And curs'd with hearts unknowing how to yield.
Thus unlamented pass the proud away,
The gaze of fools, and pageant of a day!
So perish all, whose breast ne'er learn'd to glow
For others' good, or melt at others' woe."

What can atone (oh ever-injur'd shade!)
Thy fate unpitied, and thy rites unpaid?
No friend's complaint, no kind domestic tear
Pleas'd thy pale ghost, or grac'd thy mournful bier.
By foreign hands thy dying eyes were clos'd,
By foreign hands thy decent limbs compos'd,
By foreign hands thy humble grave adorn'd,
By strangers honour'd, and by strangers mourn'd!
What though no friends in sable weeds appear,
Grieve for an hour, perhaps, then mourn a year,
And bear about the mockery of woe
To midnight dances, and the public show?
What though no weeping loves thy ashes grace,
Nor polish'd marble emulate thy face?
What though no sacred earth allow thee room,
Nor hallow'd dirge be mutter'd o'er thy tomb?
Yet shall thy grave with rising flow'rs be drest,
And the green turf lie lightly on thy breast:
There shall the morn her earliest tears bestow,
There the first roses of the year shall blow;
While angels with their silver wings o'ershade
The ground, now sacred by thy reliques made.

So peaceful rests, without a stone, a name,
What once had beauty, titles, wealth, and fame.
How lov'd, how honour'd once, avails thee not,
To whom related, or by whom begot;
A heap of dust alone remains of thee,
'Tis all thou art, and all the proud shall be!

Poets themselves must fall, like those they sung,
Deaf the prais'd ear, and mute the tuneful tongue.
Ev'n he, whose soul now melts in mournful lays,
Shall shortly want the gen'rous tear he pays;
Then from his closing eyes thy form shall part,
And the last pang shall tear thee from his heart,
Life's idle business at one gasp be o'er,
The Muse forgot, and thou belov'd no more!

--Alexander Pope
 

The Coat Is My Father

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Often beneath the wave, wide from this ledge
The dice of drowned men's bones he saw bequeath
An embassy. Their numbers as he watched,
Beat on the dusty shore and were obscured.

And wrecks passed without sound of bells,
The calyx of death's bounty giving back
A scattered chapter, livid hieroglyph,
The portent wound in corridors of shells.

Then in the circuit calm of one vast coil,
Its lashings charmed and malice reconciled,
Frosted eyes there were that lifted altars;
And silent answers crept across the stars.

Compass, quadrant and sextant contrive
No farther tides . . . High in the azure steeps
Monody shall not wake the mariner.
This fabulous shadow only the sea keeps.
- Hart Crane, At Melville's Tomb

Lazarus

don't come forth from the grave
resurrection won't do a thing for you
a moment's glory
and then
the same old routine
don't do it old friend don't do it


pride and blood and greed
the tyranny of sexual desire
the way women make you suffer


the enigma of time
the contradictions of space


think it over Lazarus think it over


don't you remember the way it was?
how you blew up at every little thing
and cursed everybody in sight?
everything got under your skin
you couldn't stand it anymore
you even despised your own shadow


your memory's going old friend your memory's going


your heart was a rubbish heap
-that's what you wrote-I'm quoting now-
there was nothing left of your soul


then why come back to Dante's inferno?

why play the comedy again?
some divine comedy-some joke!
it's only fireworks –illusions-
bait for catching greedy little mice-
a fatal blunder!


you don't know how well off you are
you have everything you need in your grave
relax take it easy down there


hello-hello-are you listening to me?


who wouldn't prefer
the earth's embrace
to a gloomy whore's caresses


nobody in his right mind
unless he's in league with the devil


keep on sleeping old friend keep on sleeping
free of the petty doubts that haunted you
lord and master of your own coffin
in the stillness of perfect night
free as a bird
as if you'd never walked among the living


whatever you do don't rise up from the grave
why should you be nervous


like the poet once said
you have your whole death in front of you
- Nicanor Parra, The Anti-Lazarus
 

pbone

Something tells me that you want to go home.
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The buzz saw snarled and rattled in the yard
And made dust and dropped stove-length sticks of wood,
Sweet-scented stuff when the breeze drew across it.
And from there those that lifted eyes could count
Five mountain ranges one behing the other
Under the sunset far into Vermont.
And the saw snarled and rattled, snarled and rattled,
As it ran light, or had to bear a load.
And nothing happened: day was all but done.
Call it a day, I wish they might have said
To please the boy by giving him the half hour
That a boy counts so much when saved from work.
His sister stood beside him in her apron
To tell them "Supper." At the word, the saw,
As if it meant to prove saws know what supper meant,
Leaped out at the boy's hand, or seemed to leap -
He must have given the hand. However it was,
Neither refused the meeting. But the hand!
Half in appeal, but half as if to keep
The life from spilling. Then the boy saw all -
Since he was old enough to know, big boy
Doing a man's work, though a child at heart -
He saw all was spoiled. "Don't let him cut my hand off -
The doctor, when he comes. Don't let him, sister!"
So. The hand was gone already.
The doctor put him in the dark of ether.
He lay and puffed his lips out with his breath.
And then - the watcher at his pulse took a fright.
No one believed. They listened to his heart.
Little - less - nothing! - and that ended it.
No more to build on there. And they, since they
Were not the one dead, turned to their affairs.

-Robert Frost, "Out, Out --"
 

Agent of Oblivion

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There once was a girl named Louise,
whose cunt-hair hung down to her knees,
so the crabs in her twat
tied the hair in a knot,
and constructed a flying trapeze
 

BurningPirateShipSex

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Since Byron brought up Darwish:

Gentlemen, you have transformed
our country into a graveyard
You have planted bullets in our heads,
and organized massacres
Gentlemen, nothing passes like that
without account
All what you have done
to our people is
registered in notebooks
 
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