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The AoO Metalphabet: U-Z.

Agent of Oblivion

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I'd be remiss were I not to mention Venom's "In League With Satan" (referenced in the Zimmer's Hole track)

Venom - In League With Satan

They're really quite silly, and weren't exactly serious with the satanism and everything, but some people were, and they accidentally spawned an entire subgenre of metal (along with Bathory, who are less silly). The vocals remind me of Residents Third Reich and Roll.
 

Agent of Oblivion

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Oh, and X-Cops are infinite amounts of fun. They do an excellent version of the ol' Deep Purple chestnut "Highway Star"

X-Cops - *Highway Star

The band is basically GWAR and friends dressed as cops. If you get the opportunity to see the Dave Brockie Experience play live anywhere, do it, because they do a few X-Cops songs which are a blast live. Especially this one-

X-Cops - Paddy Wagon Rape

X-Cops - Welcome to New Jersey
 

Slayer

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Sometimes I am simply amazed at how much Venom is dismissed, not just by metal fans I've known but even by some big names in the industry as well. While it's true they haven't produced much of anything worthwhile since the mid-80's or so, Welcome to Hell and Black Metal are landmark albums in metal that influenced a large amount of what came thereafter, whether the influenced bands want to admit it or not.

I recommend the first two albums, plus the live album Eine Kleine Nachtmusik which has most of their good songs from the first few albums. Despite their notoriety for sloppy playing live, many of the songs gain an extra element from the live performances over their album versions.

Choice songs:
"Schizo" - from Welcome to Hell (1981)
"Poison" - ibid

"Die Hard" - fromBlack Metal (1982)
"Sacrifice" - ibid

"Seven Gates of Hell" - from Eine Kleine Nachtmusik (1985)
"Leave Me in Hell" - ibid
"Nightmare" - ibid

Also, Sodom's cover of "1000 Days in Sodom" is one of my favorite metal covers ever.

Unfortunately I couldn't find a video for "Aaaaaaaaargh" from At War With Satan, an almost avant-garde performance which showcases the band at their silliest.
 

Slayer

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Another V band, Virgin Steele, has been a longtime favorite of mine going back to when I first discovered them in '00, but not many other metalheads I've talked with have heard of them. That's almost understandable, since for as long as I've known them few if any of their works have really been available for legitimate purchase either physical (not counting paying $40 to have it shipped from Japan) or digital, so if you want to get these you'll have to turn to torrents or P2P.

Virgin Steele was formed in the early 80's by guitarist Jack Starr and singer David Defeis. Right off the bat there was conflict within the group as Starr wanted to produce songs influenced by the NWOBHM movement with lyrics that covered subjects such as fast cars and cute girls, while Defeis preferred to take his cue, musically and lyrically, from Ronnie Dio's work with Rainbow and Sabbath. This dichotomy showed on the first two albums. Ultimately Defeis would win out as his epic song from the self-titled album, "Children of the Storm", would appear on label compilations and later be cited as a favorite of band members from Queensryche and Metallica. The second album, Guardians of the Flame, featured the single "Cry in the Night" that would showcase Defeis' ability to write excellent ballads, recurrent in later VS albums.

"Children of the Storm" - from Virgin Steele (1982)

"Dont Say Goodbye" - from Guardians of the Flame (1984)
"Cry in the Night" - ibid

After the first two albums, Starr saw the writing on the wall and left to pursue other interests. Defeis brought in guitarist Edward Pursino as a replacement, and the duo has been the core of VS ever since. Over the next few years, VS released Noble Savage and Age of Consent, showing Defeis' penchant for writing epic metal. AOC is also notable as it saw Defeis begin to use themes from Greek and Roman history and mythology as a major source of band lyrics, a staple of VS ever since.

MST3K fans might recognize the song "We Rule the Night" from Zombie Nightmare. It's playing during the scene where the four troublemaking teens are driving around ("searching three provinces for sleazy chicks") right before they hit the thirty year-old teenager who becomes the titular monster. You can see it here (fake edit: skip to 6:13, since the timeskip url tag doesn't seem to work here).

Despite the fact that I've been a longtime MST fan and first saw that episode in the mid-90's, that's actually not how I discovered VS. In fact, I was quite surprised when I saw ZN again after I had discovered VS, letting out a "holy shit" after seeing VS' name in the credits and then recognizing the song during that scene.

"We Rule the Night" - from Noble Savage (1986)
"Thy Kingdom Come" - ibid
"Dont Close Your Eyes" - ibid

"The Burning of Rome" - from Age of Consent (1988)
"Lion in Winter" - ibid
"Chains of Fire" - ibid

After taking a couple years off, in 1992 they released Life Among the Ruins, which turned away from the epic style of the previous albums for a more hard rocking sound akin to Whitesnake. This is the black sheep of the discography and I don't recommend checking it out. A couple years later they returned back to their classic style with a pair of albums under the name of The Marriage of Heaven and Hell. These two albums are personal favorites of mine, with Part I being a longtime "sleeper" of sorts on my personal Top Ten list. The hardest part was trying to figure out which sampling of songs to post without putting up the entire album (though some songs were not on Youtube, which was a shame, especially in the case of "House of Dust" from Part I).

"I Will Come For You" - from Marriage of Heaven and Hell Part I (1994)
"Trail of Tears" - ibid
"Forever Will I Roam" - ibid
"Wake Up Screaming" - ibid
"Blood of the Saints" - ibid

"Symphony of Steele" - from Marriage of Heaven and Hell Part II (1995)
"Twilight of the Gods" - ibid
"Strawgirl" - ibid
"Unholy Water" - ibid
"Victory is Mine" - ibid

A few years later VS released Invictus, which Defeis has said could just as well be called Marriage of Heaven and Hell Part III. They changed up the style on this one though, cutting back on the epic sounds for more of a stripped-down Manowar type sound. Despite the fact I do like Manowar, the sound didn't work for VS and I'm not high on this album.

"Invictus" - from Invictus (1998)

Following Invictus came a rather ambitious project by the group, under the name House of Atreus, based off the Greek mythological stories of Atreus and his descendants. HOA would be released under two parts, referred to in their titles as "acts". Act I came out in 1999 with 22 tracks, half of which were instrumentals ranging from thirty seconds to two minutes long. Act II followed a year later and was a two-CD release with 23 tracks..

Musically, it's a mix between the Manowar style of Invictus and the classic style from the MOHAH albums. I really want to like this one, but frankly three CDs with 45 tracks is a bit much to digest, and I think I've only ever listened to the full collection beginning to end once.

"Kingdom of the Fearless" - from House of Atreus Act I (1999)
"Great Sword of Flame" - ibid

"Wings of Vengeance" - from House of Atreus Act I (2000)
"Flames of Thy Power" - ibid
 

Gary

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I'll just get mine in (only U-W)

For U, I'm going to go with Ufomammut. Who are they? Why they are an Experimental/Doom/Sludge/Stoner Metal band from Italy, and deserve more attention. Their best album is Snailking.

God
Alcool
 

Gary

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W was a hard one for me. I could have gone with Wolves in the Throne Room, Weakling, Witchfinder General, Witchcraft, or Warning. All fine bands, but W goes to Watchtower. Another influential Progressive Metal band, bands such as Cynic, Atheist and others have cited them as an influence.

Meltdown

Mayday in Kiev
 

Slayer

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The singer from the first Watchtower album, Jason McMaster, would leave them to form the decent "sleaze metal" band Dangerous Toys. Quite the dramatic change of pace there.

Speaking of sleaze metal, WASP started off as such in the mid-80's with songs like "Fuck Like a Beast", "LOVE Machine" and "Wild Child", which got them both lumped in with hair metal bands of the time and captured the attention of the nascent PMRC. I really enjoy their first three albums, but the two albums I'd recommend are The Headless Children and The Crimson Idol (a concept album about the dark side of being a rock star), both of which display a maturity well above their peers of that time. Though they've made quite a few albums since TCI, I'm not as big on those.

"I Wanna Be Somebody" - from WASP (1984)

"The Heretic (Lost Child)" - from The Headless Children (1989)
"The Real Me" - ibid (excellent cover of The Who)
"Forever Free" - ibid

"Invisible Boy" - from The Crimson Idol (1992)
"Arena of Pleasure" - ibid
"Murders in the New Morgue" - ibid
 

Big Papa Paegan

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I got that album a few weeks after it came out, and the joke wears thin pretty quick. Good songs overall, especially to play a game of "where did they take this riff from," but the jokes do get real old real quick.
 

Slayer

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My final band for now, time to limp this thing home.

Given my love for metal and my mild Japanophilia going way back, it was natural that one of the first "outside the norm" bands I would find when I first got on the internet was X-Japan. One of the pioneers of visual kei, a sort-of Japanese equivalent to hair metal, at least in the image department. Simply put, visual kei was mostly about wearing really fucking wild outfits. Haha, Japan. Later in their career they did switch to relatively normal clothing.

X-Japan released five albums between 1988 and 1996 before agreeing to call it quits in late 1997, holding a giant farewell concert on New Year's Eve. Five months later the guitarist bid his own farewell to the world by hanging himself. Haha, suicide. The first two albums hovered around speed metal with some ballads mixed in, while the later albums featured a more epic sound with some proggy elements, plus ballads galore.

"Sadistic Desire" - from Vanishing Vision (1988)
"I'll Kill You" - ibid

"X" - from Blue Blood (1989)
"Orgasm" - ibid

"Silent Jealousy" - from Jealousy (1991)

"Dahlia" - from Dahlia (1996)
"Rusty Nail" - ibid

I don't have a U, Y or Z that I feel like expanding upon, so that concludes my metal alphabet... at least until I feel like bumping any of the old threads with a couple bands I still have hanging over my head
 
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