This is what it took not only to shoot ep5...but to watch it too!
cobainwasmurdered said:The people who are unhappy about Jaime's death and him running to Cersei are a bit more understandable but I don't agree with them. I see people say it negated his character growth and things but I don't think so. He became a selfless person (or at least a much less selfish one) but at the end he couldn't escape love and fate. That's been a pretty common theme. He also said previously that he wanted to die in the arms of the woman he loved so he got what he wanted.
Currently sitting at a 7.7/10 on IMDb from 16,543 reviews at this time of writing, criticisms levied at ‘The Last of the Starks’ are numerous. Almost all of the written reviews we saw were negative, and focus on characters completely forgetting, well, their character, terrible decision making from major players who should be smarter, and coincidence after coincidence piling up on top of lazy writing.
AA484 said:I've read a lot (maybe here?) about the production staff being physically spent just making these six episodes. That probably has more to do with there only being six episodes/one final season than anything.
Deborah Riley: We had too much work to do in the time that we had. It was at the point where even getting more people didn't help because you'd need people with a certain skill, a certain amount of work to happen in a limited space. There comes a point where you're not working efficiently if you're crowding.
We were exhausted. What you see on camera was reflected in everybody. It wasn't just the characters going through it but the crew too. It makes me sick to my stomach to think of what it was like for us at the time
It was a fantastic thing to be involved in but none of it was fun. We did the best we possibly could given the time that we had and that was a huge achievement in itself. I was very proud to have survived.
Back when he first joined the HBO series in 2014, Gower’s work focused on just six White Walkers. But in the show’s last few seasons, he managed a team of about 70 to 80 people on set, spending weeks crafting prosthetics for characters and working more than 15 hours a day to apply prosthetics, remove them, and stand by for any necessary fixes on set.
“Game of Thrones is undoubtedly the toughest project I’ve ever worked on,” Gower tells MONEY. “Each season has grown and grown, but on average, we had hundreds of makeups and gags to do each year.”
“The workload has had us in tears at times,” Gower says, “but also has been the best experience of my career.”
no fact said:I don't think anyone is disputing the crews work or the production value.
:It was a fantastic thing to be involved in but none of it was fun. We did the best we possibly could given the time that we had and that was a huge achievement in itself. I was very proud to have survived.