NoCalMike said:I thought H20 already did the "she is back....and ignore Parts 4,5, & 6" route?
Edwin said:Gary, you were not fucking around with The Devil's Candy. Pure metal horror ownage. On Netflix, guys!
Harley Quinn said:No idea but if you do decide to check it out, let us know if it's worth the watch.
Čœrêÿ Łåżárüß said:Caught The Void last week. Jesus...that's the kind of horror I really wish we got a little more of. Tense, creepy as hell, and a constant nightmare tone.
#The Return said:I caught a showing of Happy Death Day and I'm shocked at how much I liked it. The PG-13 rating didn't bother me too much (Although R certainly could've made for some gnarlier scenarios) and the lead actress was absolutely fantastic. Her charisma carried the movie and I laughed several times. It ran out of steam towards the end, but I was very entertained overall.
RedJed said:Yeah, Happy Death Day was better than I thought it would be, but that third act was a bit like...ok enough already. Too many false endings, but otherwise a decent little horror that didn't suffer too bad from the PG-13 indeed.
So did anyone binge horror like a mofo for October? I had intentions of 31 films in 31 days, but am still backed up a bit on it, so this will roll into November. I'll post my list later with some thoughts on the films.
RedJed said:So did anyone binge horror like a mofo for October? I had intentions of 31 films in 31 days, but am still backed up a bit on it, so this will roll into November. I'll post my list later with some thoughts on the films.
Detective Ventriloquist said:The Golden Globes has decided that since there was some comic relief in it, Get Out will be in the Best Comedy/Musical category.
NoCalMike said:Detective Ventriloquist said:The Golden Globes has decided that since there was some comic relief in it, Get Out will be in the Best Comedy/Musical category.
Oh for the love of gawd. Not that the movie isn't deserving of a nomination, but still.
Shot outside Pittsburgh on a shoestring budget by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master George A. Romero, is one of the great stories of independent cinema: a midnight hit turned box-office smash that became one of the most influential films of all time. A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of recently dead, flesh-eating ghouls, Romero’s claustrophobic vision of a late-1960s America literally tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in its lead role. Stark, haunting, and more relevant than ever, Night of the Living Dead is back, in a new 4K restoration.
Disc Features
New 4K digital restoration, supervised by director George A. Romero, coscreenwriter John A. Russo, sound engineer Gary R. Streiner, and producer Russell W. Streiner
New restoration of the monaural soundtrack, supervised by Romero and Gary R. Streiner, and presented uncompressed on the Blu-ray
Night of Anubis, a never-before-presented work-print edit of the film
New program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez
Never-before-seen 16 mm dailies reel
New piece featuring Russo about the commercial and industrial-film production company where key Night of the Living Dead filmmakers got their start
Two audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor
Judith O’Dea, and more
Archival interviews with Romero and actors Duane Jones and Judith Ridley
New programs about the editing, the score, and directing ghouls
New interviews with Gary R. Streiner and Russel W. Streiner
Trailer, radio spots, and TV spots
More!
PLUS: An essay by critic Stuart Klawans[/list]
In this chilling adaptation of the best-selling novel by Thomas Harris, the astonishingly versatile director Jonathan Demme crafted a taut psychological thriller about an American obsession: serial murder. As Clarice Starling, an FBI trainee who enlists the help of the infamous Hannibal “the Cannibal” Lecter to gain insight into the mind of another killer, Jodie Foster subverts classic gender dynamics and gives one of the most memorable performances of her career. As her foil, Anthony Hopkins is the archetypical antihero—cultured, quick-witted, and savagely murderous—delivering a harrowing portrait of humanity gone terribly wrong. A gripping police procedural and a disquieting immersion into a twisted psyche, The Silence of the Lambs swept the Academy Awards (best picture, best director, best screenplay, best actress, best actor) and remains a cultural touchstone.
Disc Features
New 4K digital restoration, approved by director of photography Tak Fujimoto, with 2.0 surround DTS-HD Master Audio soundtrack on the Blu-ray
Alternate 5.1 surround soundtrack, presented in DTS-HD Master Audio on the Blu-ray
Audio commentary from 1994 featuring director Jonathan Demme, actors Jodie Foster and Anthony Hopkins, screenwriter Ted Tally, and former FBI agent John Douglas
New interview with critic Maitland McDonagh
Thirty-five minutes of deleted scenes
Interview from 2005 with Demme and Foster
Inside the Labyrinth, a 2001 documentary
Page to Screen, a 2002 program about the adaptation
Scoring “The Silence,” a 2004 interview program featuring composer Howard Shore
Understanding the Madness, a 2008 program featuring interviews with retired FBI special agents
Original behind-the-scenes featurette
Trailer
PLUS: An essay by critic Amy Taubin along with, in the Blu-ray edition, a new introduction by Foster; an account of the origins of the character Hannibal Lecter by author Thomas Harris; and a 1991 interview with Demme