Gary
Mind. Body. Light. Sound.
Currently watching “Jack-O” with the commentary track-the film itself is awful, but oh my God this is the one of the best, most argumentative commentaries I’ve ever heard.
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This sounds really familiar. Was it made for TV?10/12 - Curse of The Blair Witch (a short "documentary" about the Blair Witch Project and the events surrounding the movie)
Osment is great and one of the best child actors I've ever seen, but I think I have residual teenage bitterness over him not being my dream Anakin in Phantom Menace. I mean dude.I've appreciated Haley Joel Osmont's acting more on re-watches and stuff like the poisoned girl & hanging bodies have a much darker tone to them IMO after knowing it going in.
It’s the only way it should be watched IMO. I remember renting this back in the day, and even 14 year old me thought it was awful. Watching it with the commentary? Eh, it has a few regional B-movie charms, but you can tell that watching it without the commentary would be a challenge.Oh man, it's a classic. I watched the commentary track on youtube years ago and it's truly one of a kind.
She actually got a nom for The Sixth Sense on the strength of that moment in the car. I agree that it's an all timer.Osment is great and one of the best child actors I've ever seen, but I think I have residual teenage bitterness over him not being my dream Anakin in Phantom Menace. I mean dude.
The sick girl part is devastating but again, knowing that the girl is super young Mischa Barton takes me out of it now.
It just has a lot of problems, I think, but some amazing performances that time shows M. Night probably didn't deserve. Toni Collette's last scene, talking to Osment in the car, is incredible and probably should've gotten her an Oscar nomination. Definitely top five horror movie mom, at least on my actual list.
This sounds really familiar. Was it made for TV?
Tonight, on Shudder, they had a secret screening. They aired a movie without telling anyone what it was, and it ended up being the new Dario Argento film, Dark Glasses. It's not released in the US in theaters in NY and LA until, I believe next weekend, and officially debuts on Shudder on Oct. 13. If you're a fan of his old movies, when they were good, this is a return to form. Such a great watch with a top tier score. 2022 continues to be one of the best years for horror in a while.
8. Halloween Resurrection (So bad it's watchable and Busta Rhymes is hilarious)
I said this after seeing it the first time, and I said it after the only rewatch, but there are three absolutely perfect scenes in '18 that rank high among the entire series (and even slashers as a whole): the gas station restroom, the continuous "trick or treat" shot when Michael comes home, and the motion light. The rest of the movie is either meh or actively shit.2018 was awesome, right? I’m not remembering it wrong, am I? Seems so weird for the same guy to make a dynamite movie, and follow it with two turds… I mean, sure. The Matrix, and all…
This past week:My Halloween month watchlist so far:
- Elvira, Mistress of the Dark (1988)
- X (2022)
- Frankenstein (1931)
- Black Sunday (1960)
- The Mummy (1932)
- Arsenic & Old Lace (1944)
- Cash on Demand (1961)
- Dracula (1931)
- Creature from the Black Lagoon (1954)
- Elvira's Haunted Hills (2002)
- Bride of Frankenstein (1935)
This year's main priorities are getting through my Universal monster movies and a Hammer Studios DVD set. Keeping it classic this time around.
This needs further explanation/an in-depth review- The Snorkel (1958)