I liked it a little more than Laz. I'd probably go 7.5 or even 8 out of 10. I've been a Daniel Zovatto fan since It Follows, so it's great to see him nail the best role of his career. Kendrick is perfect as the lead because of her charm and likability. Your skin starts to crawl towards the end and even with knowing she ends up safe, there is some wonderful tension. The murder scenes were much more intense than I was expecting, but still had some restraint. Kendrick showed a great eye for directing and I'm interested in seeing what she does next.
Only complaint I have is that I would've preferred an extra 20 minutes or so. 95 minutes felt too short, and you could've added more creepy Alcala stuff and less Dating Game stuff.
I have a strong feeling I'll rate it higher later on down the road, just as I do with Fincher's work. None of this takes away from Kendrick doing a hell of a job for her first time in the director's chair.
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I can totally see why
In a Violent Nature (2024) is so divisive. It almost seems designed to split the audience, because it's such a brilliant and novel idea at its core, but the execution leaves a lot to be desired. A slasher film that follows the undead killer between their murders instead of the victims? There's juice to be squeezed, but it requires a little more added to the glass before you drink it down.
Many years ago in a logging camp outside Milford Haven, young Johnny was tricked into climbing to the top of a fire tower before he fell to his death. As revenge for the subsequent killing of his father, he rose from the grave to exact his revenge, claiming the lives of any who disturb the peace around his resting place for decades onward. A group of college kids in modern times disturb it by stealing a locket, revealed soon after Johnny's resurrection to have belonged to his mother, and Johnny rises, once more out for blood.
Much like the "Tuesday the 17th" short from the first
V/H/S, it's a pleasure to see an original slasher story that intentionally feels like a later sequel to an ongoing series. The lore is established but dripfed, the relationships between the victims feel as developed as any other slasher but with the added layer of subtlety that only overhearing their interactions brings, and being able to surmise so much from so little given is something I'd count as a win. The choice to follow Johnny as he stalks his prey is, truthfully, quite brilliant, taking the focus from the fodder to the cause of their respective demises
Where the fault lies, however, is in the droll execution. The initial dullness works wonderfully for the first kill, and even for Johnny's discovery of the college kids that stole his mother's locket from his resting place. It even works well for a kill by the lake, and for the scene where Johnny breaks into the Ranger Station to gain his mask and tools back...but it doesn't quite work for the full runtime.
The kills we do see are shot with the same tranquil disregard as Johnny's stalking shots, regardless of their brutality, and betray some of the more gruesome aspects by even modern sensibilities. Since we don't gain any character development from Johnny's victims, seeing them die becomes a chore more than it does a vicarious thrill. Sure, this choice aids the apparent point of the movie, that what Johnny does is just his undead humdrum nature than it could be any sort of passionate act, but it doesn't leave the audience wanting anything more than the runtime to end.
Overall, this is a considerable achievement in concept for writer/director Chris Nash, himself more known for special makeup effects (including on cult hits like
Psycho Goreman and
the Void), but a middling experience as a film. I'm not willing to write his work off just yet, but I do hope he refines it to whet the appetites of hungry horror hounds while adding his own unique spins on things in the future.
5.5/10
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Sorted by date and scored.
1. Baskin (7/10)
2. Barbarian (5/10)
3. Alien (9.5/10)
4. Aliens (9/10)
5. Hocus Pocus 2 (5.5/10)
6. Under Paris (6.5/10)
7. Child's Play 2 (5.5/10)
8. Child's Play 3 (6/10)
9. Bride of Chucky (7/10)
10. Terrifier 2 (3/10)
11. El Conde (7/10)
12. Addams Family Values (8/10)
13. Friday the 13th (6.5/10)
14. Body Bags (6/10)
15. Monster Party (6.5/10)
16. When Evil Lurks (7.5/10)
17. Lisa Frankenstein (4/10)
18. The House on Sorority Row (5.5/10)
19. Woman of the Hour (7/10)
20. In a Violent Nature (5.5/10)