I don't really keep up on new releases, but here's who I've been into the most this past year.
Persuader (Speed/Power)
Just a goddamn powerhouse of killer riffs and songs. It's a damn shame they're on indefinite hold while the members work on other projects, too, because I'd easily say this is the best work they've all been a part of.
Anubis (Power/Thrash)
Their debut LP Dark Paradise is so, so good. Like Persuader, this is the best project that the individual members are involved in.
Belzebong (Instrumental Doom)
Horse Lung (Instrumental Doom)
As I said earlier this year, I can dig on doom until the vocals. There's just something so whiny about most doom metal vocals, even the harsher ones, so it's awesome having the best part of doom (THIIIIIIICK ominous riffage) without any of the weakness.
Observers (Instrumental Doom)
More artsy/avant garde than Belzebong or Horse Lung, this is perfect background music for sci-fi/horror gaming.
Resistant Culture (Grindcore)
A revolving door of crust/grind/death musicians incorporating traditional indigenous music into their sound. It's so weird thinking that a lot of the same people responsible for the mediocrity of Terrorizer post-Jesse Pintado are also the ones behind how goddamn good this band is. Like Brujeria but serious.
Barra Xul (Melodic Tech Death)
A friend and I once joked that Cannibal Corpse gone melodic is basically Nevermore, and if that's the case then Dying Fetus gone melodic is Barra Xul. The Montreal scene just hits differently, man.
Saintbreaker (Death/Thrash)
Oxygen Destroyer (Death/Thrash)
Just fun. That's it. They have their sounds they're going for and nail it. OD especially deserves a lot of love for how well they pull off the kaiju gimmick, and for how much they love using it to agitate transphobes.
Brainstorm (Heavy/Power)
Andy B. Franck reminds me of Bruce Dickinson from Chemical Wedding, and that's a good thing. Killer band, maybe my favorite of the German scene after the original Helloween days.
Warlock (Heavy)
Doro Pesch is a fucking goddess and you're wrong if you disagree.
Desultor (Melodic Tech Death)
This is a one-off project that released the amazing Machines of Hate, which is still so damn unique. A tech death album...with almost exclusively CLEAN vocals?! I got into them in 2020 but really fell in love this past year, and I can pinpoint their sole album as what kicked off my reinvigorated interest into power metal and its peripherals.
War Kabinett (Death/Power)
Similar to Desultor but much more "traditional" in song construction. Super fun, highly recommended.
Atoll (Brutal Death)
Sometimes you just need some caveman shit, and they've got it covered. A good choice of hooks and grooves nails it for me.
Desert Near the End (Power/Thrash)
Dire Peril (Power/Thrash)
Iron Savior (Speed/Power)
Like if Ayreon wasn't so fucking pretentious and goofy.
Northern Genocide (Industrial Melodeath)
Project: Roenwolfe (Power/Thrash)
Just hard-hitting metal. Nothing too spectacular, but they always manage to scratch the itch.
...it's very fair to say that I enjoyed clean vocals this year.