These are the kinds of people you hit as hard as you can in a circle pit. They'll usually try to "swim upstream," so it's easier to do, and more fun that way as well.pbone said:
I hyped how their singer was female and possesses a better growl/scream/overall voice than most male vocalists playing metal and hardcore. The music itself is decent, but every song is the exact same format of "grind riff, cool dissonant sweep, breakdown, melody, funny sample, grind riff, breakdown, grind riff."Slayer said:2) Laz hyped IWABO a little bit at the old board. I wasn't a big fan
I'd say Wretched Spawn deserves love, man. Overall? The songs were better and more varied during the Barnes era, but the complete package is tighter with Corpsegrinder.3) Since I didn't respond to Laz's post about the new CC earlier, I'll say that I agree about how it's back to 40 minutes of run-together death metal that is a definite disappointment after Kill. While I do prefer Fischer as vocalist to Barnes, the band seemed to use up most of their good riffs during the Barnes era. The only Fischer era albums I really like are Vile, Gallery of Suicide and Kill, while the three albums between the latter two all run together in a big death metal blur for me.
I'm also not a fan of the layered growl effect they used on EP. I didn't tolerate it from Glen Benton and I won't tolerate it from Fischer either!
Slayer said:Hey Agent, what are your thoughts on the new Agoraphobic Nosebleed
Agent of Oblivion said:Probably my metal album of the year so far. Holy shit
Wario Lemieux said:Behemoth has two new songs up on their Myspace. They're brutal as fuck. Not that I expected anything less.
The new Dying Fetus is awesome, too. Agent was right on the nose with the pushing themselves technically thing, which is impressive, because they're really, really technical. I thought about trying out for them, went to learning the material and went "Oh, fuck."