Big Papa Paegan
L. A. Z.
...not wrong, really
It's been a work for 17 years and Luger is going to rise out of the chair at Wrestlemania like he's a Grandma at an Andy Kaufman stage showLex saw his old tag team partner get his flowers and now he thinks he has one more in him!
My brother has been Mike Holmgren's stunt double since 1992. Even bloated out now in older age just like Coach Mike.Luger looks so much like my grandmother sometimes it's awkward.
Same time frame of results showed me that Tully came in as a face and turned heel at a house show right away when he came in. (ala Dibiase, WWF) Apparently this was a popular trope of Dory's booking.I’ve found with that site that JCP is so well documented that it skews the results.
Just another nepo baby! Sorry SnuffyMike expanded upon the famous Southern California Hollywood Wrestling Office he inherited not long after his legendary stepfather Cal Eaton's passing
Under Mike's reign, but actually primarily inherited from his stepfather, legendary Cal Eaton, Mike promoted KCOP tv studios every Saturday from 6-7:30 pm for later broadcast at the old Fairfax location near Hollywood Blvd. The show was hosted by Dick Lane until a contract dispute with Mike over salary which saw Lane walk in October of 1973 to be replaced by longtime "locker room" interviewer, Gene Lebell. 8 months later, KCOP axed the deal after Mike allegedly, continually violated their new edict telling him to tone down the plugs for all the spot shows. When Greg Valentine pushed his loser leaves town match at the Olympic with John Tolos "one too many times" as Mike put it on my radio show on March 26, 2000; KCOP kicked him out. Mike was forced to rely only on his all-Spanish weekly tv show Wednesdays from the Olympic. Hosted by Miguel Alonzo and boxing expert Luis Magana, the interviews were done by either Miguel, Luis, Gene Lebell, Jeff Walton or "at times even the world's greatest ring announcer, Jimmy Lennon if we were shorthanded!"
Mike of course went to war in '68 and early '69 with Verne Gagne who partnered with Fabulous Forum multi-millionaire famous owner Jack Kent Cooke(who owned the L.A. Lakers NBA team, the NHL Kings hockey team, the Washington Redskins NFL team, etc).
"Jack had personally been snubbed reportedly by Mike when he wanted to borrow some of my wrestlers for something he was doing outside of L.A. Or he took it as a snub, and then when we didn't want to join him on boxing ventures, he became angry with us, or me personally. I've heard he sought out Verne Gagne and the AWA, and promoted just a few shows at the nearby Forum, right off the San Diego and Harbor Freeways. Mind you, we were just off the Santa Monica and Harbor Freeways at the Olympic. Another thing I'm going to break here is that despite even the boys thinking we "owned" the Olympic Auditorium, it was no such thing. We had a sweet deal with the city for multiple years, and just rented the Olympic as primary tenants for our wrestling and boxing shows, tv tapings and we'd get income back from renting out to Bill Griffiths and his roller games," Mike told me on one of his two appearances on my old CRN radio show.
"So Verne loaded up his cards with AWA stars, but we contacted Sam who although he was later friendly with Verne, at this time decided to throw his weight to help us out. We were sent stars from all over to load up our shows the night before each of Verne's shows and trounced him. Although he had good shows, better than what he might've been promoting in the midwest, he barely drew flies and we won that war."
Verne's first show saw him defend the AWA title vs Dick the Bruiser, co-mained by Lou Thesz vs Larry Hennig along with the Vachons, Crusher, Blackjack Lanza and other stars. Mike's opening match the night before advertised Don Leo Jonathon and Prince Iaukea vs Ray Stevens and Pat Patteson. "How was that for an opening match?! Each of our matches to battle Verne really could've been main events anywhere else in the world. We had Blassie taking on Dory Funk for the NWA title, Mascaras vs Gordman and also Bull Ramos in mask vs hair matches, Dory Funk Sr and Terry Funk teaming up, Fabulous Moolah defending her women's title, Paul Jones and Nelson Royal coming in to team, Danny Hodge, you name it. Sam and several NWA promoters sent us a lot of stars. Even Lonnie Mayne came down from Don Owen. The Assassins from the south which was my first time meeting Tom Renesto, who'd later become my booker in the late 70's."
The L.A. office began experiencing problems, growing pains, etc when longtime stars Blassie and Tolos were vocally disgruntled with their historic L.A. Coliseum paydays in August of '71. Blassie wanted to leave in the worst way he said, and later that year accepted Vince Sr's offer to move back and work permanently for WWWF. Blassie had his notable title feud the next year with Pedro Morales and soon the great pairing of him and Lonnie Mayne as a colorful WWWF team, managed by Lou Albano. Tolos was turned face, drawing record crowds and a renewed partnership with Baba and All Japan wrestling that resulted in a great grudgematch on the last Olympic Aud show of 1971, pitting Tolos and "new friend" Giant Baba against the ultimate tag team heels in Kenji Shibuya and Massa Saito. In 1972, when Tolos wanted also to get away allegedly from Lebell over monetary issues and "lack of proper pay," Lebell renewed a friendship with Vince McMahon Sr that later in the decade would result in the figurehead position on paper of being "WWWF V.P" replacing Willie Gilzenberg's name. That title was scraped when Senior was convinced to shorted the name to WWF and join the NWA. Soon, Shinma Sr was named WWF VP. But the McMahon Sr/Lebell/NJPW connection became great as Inoki would send talent to Lebell to finesse them for appearing in MSG, McMahon would send names and acquisitions like Judo champ Allen Coage to train for pro with Gene Lebell in L.A. before using him in WWWF/WWF or sending him to Inoki, with favors flying all over. Lebell in 1971 and 1972 had worked from a Japan standpoint, primarily with Baba and the JPW office putting the UN National belt on Inoki twice at the Olympic(once vs Tolos, once vs the first Dan King Krow Kroffat) and telling Los Angeles fans that any show involving Japanese wrestlers was "being beamed back live to Japan tv." In truth, the shows were taped and shown in Japan at a later time after post-production.
Business behind the scenes and crowd-wise began a slow descent. Strongbow and Moto were gone as bookers, and a variety were tried(even Tolos briefly but John said he hated booking) until Atlanta genius Leo Garabaldi came in to replace the horrendous booking of Louie Tillet. Louie was well-liked until he began putting himself on tv as an actual wrestler, looking like a late 50's old poor imitation of Blassie when the ever-growing Hispanic Southern California crowds were clamoring for someone younger and more credible in the ring. Tillet had gone from simply replacing Jeff Walton in the fictitious on-camera role as "NWA representative," to America's champion beating Tolos, Greg Valentine, Choi Sun and others as crowds dwindled in mid 1975 and he got the ax to be replaced with fellow southern booking mind and star, Leo Garabaldi.
But the fan perception beginning in spring of 1975 with the departing Tolos, Firpo and yes, the great Ed Carpentier; was that Lebell was devoid of stars. Sure, Tolos would come back for several months to help out; but just the thought of megastars like Tolos and Blassie being permanently replaced in the fans minds with Piper and Guerrero cost the office. Ticket prices were often lowered and to try to make more money, the once every-other biggest cards of the region at the MSG of Los Angeles(The Olympic Aud)went from every other Friday, to every Friday.
Otherwise known as facts?That's a lot of someone else's thoughts and opinions.
Careful, this is how you end up having some dumb "quote" or whatever attributed to you by Kamala.I'm wary to go all-in on "someone else's thoughts and opinions" = facts, though.
That's pretty much how history works without access to third party notation, and there's no way that a promoter during the territory days would allow an outsider to jot down records. If the box office receipts match those opinions, however, then they're holding more water than you're giving them credit.I'm wary to go all-in on "someone else's thoughts and opinions" = facts, though.
That's pretty much how history works without access to third party notation, and there's no way that a promoter during the territory days would allow an outsider to jot down records. If the box office receipts match those opinions, however, then they're holding more water than you're giving them credit.
I have accepted I am wrong at all times regardless. Write too much, Write too little, post topical things in the right spots and still get shit on. Etc
I thought I was doing a service by cutting the rather long article down to the points of interest.